Ouroboros
A defining entry in the Top 100 Film. Sitting at number 63, Ouroboros earned its place through a combination of craft, context, and consensus among the twenty-four editors who maintain this list. The companions immediately above and below it on this ranking are worth reading in the same sitting.
Position in the list
About this entry
A defining entry in the Top 100 Film. Sitting at number 63, Ouroboros earned its place through a combination of craft, context, and consensus among the twenty-four editors who maintain this list. The companions immediately above and below it on this ranking are worth reading in the same sitting. The editors’ note placed it here on the basis of three criteria: durability across re-reads (or re-watches, or re-plays), influence on the entries that came after it, and the degree to which it could only have been made by the person — or team — who made it.
In the comparative table maintained by the Film desk, Ouroboros sits within a band of 60 – 66 that contains some of the most contested swaps of the year. Editors vote with arguments; a swap requires three editors and one written defense.
From Wikipedia
The ouroboros or uroboros is an ancient symbol depicting a snake or dragon eating its own tail. The ouroboros entered Western tradition via ancient Egyptian iconography and the Greek magical tradition. It was adopted as a symbol in Gnosticism, Hermeticism, and alchemy.
